“stood out for its intelligence, its formal ingenuity, and its restrained elegance.”
- Hanna Weibye, theartsdesk.com, December 26, 2016
“There's a fine combination of coolly restrained classicism and hints of impassioned anguish.”
- Anna Winter, The Stage, October 11, 2016
"an elegant, neoclassical reflection on the sonnets"
-Stuart Sweeney, Critical Dance, October 11, 2016
"surreal and captivating"
- Kristy Stott, Upstaged Manchester, September 16, 2016
“The balance that Lang strikes between lyricism and gravity is as satisfying as it is true to its source.”
- Luke Jennings, The Guardian, June 26, 2016
“an intelligent work, tugged by longing and regret.”
- David Jays, The Guardian, June 24, 2016
“fresh, contemporary and traditional all at the same time.”
- David Mead, SeeingDance, June 23, 2016
“controlled, human, open hearted, quietly exuberant and immaculately executed.”
- Bruce Marriott, DanceTabs, May 16, 2016
“poetry in motion.”
- Charles Hutchinson, The Press, May 14, 2016
